EPK

 

“Sprig of That is cultivating a genre-jumping string sound with violin, guitar, and tabla. The young band is exploring new tonal terrain."

– Greg Cahill, Strings Magazine

 

“There’s a striking and dazzling power in the rhythms and the melodies of the music by Sprig of That. “Kirenaka” is a sample of their thoughtful and evolved playing, with strong violin melodies and weaving guitar resounding over driving and entrancing rhythms on the tabla.”

— Americana Highways

 

“Sprig of That is one of the most flexible and skilled bands I have had the pleasure of working with as a producer. The sonic ecosystem they have created with their unique instrumentation is at once as surprising as it is gorgeous.”

— Wes Corbett, Sam Bush Band, Joy Kills Sorrow

“Like Béla Fleck’s non-bluegrass work, Sprig of That’s sound harks back to pioneering ’70s progressive folk groups like Oregon as well as The Kronos Quartet. The trio synthesizes various styles in service of music that... honors melody as much as it does the shifting rhythms and deep harmonic structures they’re adept at creating.”

— Edd Hurt, Live for Live Music

 

“The unique trio is a breath of fresh air, and ‘Riversong’ is the latest example of their instrumental mastery.”

— Music Mecca

 

“Sprig of That combines folk, Western classical, and world rhythmic influences into fresh acoustic performances.”

— Minnesota Public Radio, The Current 89.3FM

 

 

“Sprig of That is one of my favorite cross-cultural projects because you can hear the collaborative and friendly spirit shine through in their music. There is nothing forced here — just the natural outcome of friends enjoying finding new sounds together. The fact that they play three instruments not often heard. in one band and have a unique musical perspective to share is just icing on the cake, and we cannot wait to hear more!”

— Mike Block, Grammy Award-winning cellist of the Silkroad Ensemble

 
 
 
 
 

Short BIO

Sprig of That is a tabla, fiddle, and guitar trio playing a hearty Midwest-raised and globally inspired acoustic stew. In February 2023, they released bloom, their full-length, all-original debut album, produced by Wes Corbett (Sam Bush Band, Joy Kill Sorrow) and engineered/mixed by Dave Sinko (Punch Brothers, Béla Fleck, Edgar Meyer) recorded at Nashville’s legendary Sound Emporium studios over the course of a week in December 2021. Formed in Minneapolis, MN in 2018, the group has spent the last five years making a name for themselves across the country: playing legendary venues like Seattle’s Tractor Tavern, Minneapolis’ Cedar Cultural Center and NYC’s Rockwood Music Hall, sharing the stage with artists like Charlie Parr and Emilia Amper, and collaborating with organizations like Carnegie Hall, Minnesota Public Radio, and the Mile of Music Music Education Team to give educational workshops across the country. In 2021, they released “Eight Threads,” a cross-genre collaboration comprising 8 compositions written for the trio by eight very different Twin Cities-based music makers that was accompanied by an eight episode self-produced podcast.  In addition to bloom and Eight Threads, they have also released two EPs of original compositions and arrangements: Sprig of That in 2019 and Untold in 2020. With an album comprising their best work yet and dates booked across the country, 2023 is looking to be the biggest year yet for Sprig. Grateful for what has been and excited for what’s to come, Sprig is, in a word, ready to bloom.

Long Bio

Sprig of That is a tabla, fiddle, and guitar trio playing a hearty Midwest-raised and globally inspired acoustic stew. Drawing inspiration from the work of cross-genre pioneers like Zakir Hussain, Chris Thile, and Béla Fleck, they play music that is at once both steeped in tradition(s) and thoroughly modern. Though this combination of instruments might seem unexpected at first glance, Sprig has left an immediate and lasting impression on all who have heard and seen them. 

In February 2023, they released bloom, their full-length, all-original debut album, produced by Wes Corbett (Sam Bush Band, Joy Kill Sorrow) and engineered/mixed by Dave Sinko (Punch Brothers, Béla Fleck, Edgar Meyer). Recorded at Nashville’s legendary Sound Emporium studios over the course of a week in December 2021, the record is a collaboration in every sense of the word: equal part Sprig’s compelling compositions and dynamic playing, Corbett’s vision and ear for detail, and Sinko’s unparalleled ability to capture magic in a room. Bloom also sees friend and longtime Sprig collaborator Olivia Dierks (The OK Factor) as a guest on multiple tracks, including lead single “This Time, Last Week.” 

Formed in Minneapolis, MN in 2018, the group has spent the last five years making a name for themselves across the country: playing legendary venues like Seattle’s Tractor Tavern, Minneapolis’ Cedar Cultural Center, and NYC’s Rockwood Music Hall, sharing the stage with artists like Charlie Parr and Emilia Amper, and collaborating with organizations like Carnegie Hall, Minnesota Public Radio, and the Mile of Music Music Education Team to give workshops at schools across the country. In 2021, they released Eight Threads, a cross-genre collaboration comprising 8 compositions written for the trio by eight very different Twin Cities-based music makers. From improvising cellists and singer-songwriters to contemporary classical and big band composers, “Eight Threads” yet again showed how, for Sprig, it’s as much about the people as it is the music. To accompany the record, they also self-produced and released “Eight Threads: Unraveled,” a podcast series exploring the people and stories behind each piece. In aaddition to bloom and Eight Threads, they have also released two EPs of original compositions and arrangements: Sprig of That in 2019 and Untold in 2020. 

With an album comprising their best work yet and dates booked across the country, 2023 is looking to be the biggest year yet for Sprig. Grateful for what has been and excited for what’s to come, Sprig is, in a word, ready to bloom.